![\"Bildner](\"http:\/\/repeatingislands.files.wordpress.com\/2012\/09\/ceballos_absolut_delaunay_2-450x5301.jpg?w=500\" "\\"Bildner")
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The Bildner Center for Western Hemisphere Studies is hosting two lectures on Art and Transformation in Cuba. The two speakers will be Elvis Fuentes (El Museo del Barrio) and Yuneikys Villalonga (Lehman College Art Gallery), moderated by Ana Mar\u00eda Hern\u00e1ndez (LaGuardia Community College, CUNY). The lectures will take place on Wednesday, October 10, at 5:00pm at The Graduate Center (Room C201\/02) located at 365 Fifth Avenue at 34th Street, New York, New York.<\/strong><\/p>\n Elvis Fuentes, \u201cThe Artist as Cultural and Commodity Producer\u201d (presentation in Spanish)\u2014Description<\/strong>: Drawing from the exhibition, Caribbean: Crossroads of the World, curator Elvis Fuentes will discuss the Cuban experience in Caribbean historical context. Given 20th century economic shifts from agriculture-based systems \u2014 such as sugar and banana plantations \u2014 to oil and tourism industries, one question is for how has Cuba\u2019s role within the Caribbean geopolitical landscape changed. With limited oil reserves and reluctance to developing a service industry that official discourse depicted as servile and synonym of colonialism, many years of the Castro regime relied heavily on the sugar sector to supply the Socialist bloc. What was the role of the art market in this context? How have artists dealt with these issues throughout the years? And what was their intellectual role as opposed to artists in other Caribbean societies?<\/p>\n Yuneikys Villalonga, \u201cCuban Art in the Wake of State Re-structuring\u201d (presentation in English)\u2014Description<\/strong>: The \u201cSpecial Period\u201d of the 1990s brought a series of changes in Cuban society, driven by the new political and economic situation on the island. The development of tourism, the legalization of hard currencies, and the subsequent re-introduction of the private sector as well as the art market, among other governmental initiatives, affected the position and role of the artist. Also important was the change in policies carried out by the Clinton administration after over a decade of Republican isolationism. Villalonga will discuss contemporary art practices both by individual artists and institutions in response to this milieu. She will reflect on the role of curators in the conversation on Cuban contemporary art, including her own series, Invisible Curatorships, developed in Havana in the past decade.<\/p>\n Elvis Fuentes<\/strong> organized the first installment of the Permanent Collection Galleries (2009), two biennials of New York Latino Contemporary Art (The S Files 2007<\/em>, 2011), and the blockbuster exhibition, Caribbean: Crossroads of the World<\/em> (2012) at El Museo del Barrio. Graduated from the University of Havana, School of Arts and Letters, Fuentes served as curator at the Instituto de Cultura Puertorrique\u00f1a and The Ludwig Foundation of Cuba.<\/p>\n Yuneikys Villalonga<\/strong> joined the curatorial team of Lehman College Art Gallery in 2011. Graduated from University of Havana, School of Arts and Letters, she served as curator at The Ludwig Foundation of Cuba (1999-2003), and Habana Cultura, a platform for contemporary art sponsored by Habana Club International. Fuentes and Villalonga co-curated with Glexis Novoa the groundbreaking exhibition, Killing Time<\/em>, presented at Exit Art, New York, in 2007.<\/p>\n Ana Mar\u00eda Hern\u00e1ndez<\/strong> (PhD, Comparative Literature, New York University) specializes in Caribbean and River Plate studies and is Professor of Latin American Literature and Culture at LaGuardia Community College, CUNY.<\/p>\n Please reserve by sending an email to bildner@gc.cuny.edu<\/a>.<\/p>\n Image above: Cuban artist Sandra Ceballos\u2019 \u201cAbsolut Delaunay\u201d (1995), on view in Caribbean Crossroads<\/em> at the Queens Museum of Art; from http:\/\/www.cubanartnews.org\/<\/a><\/p>\n